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Posts Tagged ‘YA literature’

mortal_instruments_movie_poster

I’m going to be honest. Because this is the internet. And people can be honest without fear of actual retribution. Jamie Campbell Bower is not my Jace Wayland. This sort of thing happens all the time. however, for reasons of chemistry or acting skill. And honestly, while I greatly enjoyed the Mortal Instruments series, I never fell in love with Jace Myself. So despite my still rather strong feelings about JCB  and my belief that he would … suck… as Jace,  I decided to see the film anyway.

Perhaps, because of these rather low expectations, I didn’t think the film was all that horrible. Campbell-Bower was better than I expected, though the chemistry between the two leads lacked that particular spark that makes the audience believe (SPOILERS HERE)  that Clary and Jace are meant to be together and there is no way they could be brother and sister. It’s just not there, but it’s not painful to watch the two, so that’s a plus.

The-Mortal-Instruments-City-of-Bones-Jace-and-Clary

And honestly Lily Collins is just so damn beautiful and talented, she could probably play opposite a goat and make me believe they loved each other. She has the Ginger Rogers effect–Since we’re being honest, no one really though Fred Astaire was physically attractive. Incredibly talented, but not your typical dream-boat. But when Ginger Rogers danced in his arms, she made  the audience fall in love with him, because she looked at him and danced with him like he was the best and most-beautiful man on earth. Lily Collins definitely possess that skill, and she’s going to be around for a while doing wonderfully great things, providing she keeps her head away from the Lindsay Lohan track.

The real standout, aside from Collins, is Robert Sheehan as Simon. I always liked Simon. I’m not so deluded to think Clary and Simon belong together romantically, but I just like Simon. And while the way Sheehan (you might recognize him from The Borrowers) plays Simon is slightly different from how I read him, it’s brilliant. He’s so much fun to watch, and he brings that edgy humour that JCB can’t always deliver as Jace.

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Isabel and her whip are pretty characture-ish, but they look awesome. And the rest is forgettable except for Magnus bane, perhaps because I love his character. Oh! and Lena Headey plays Clary’s mom brilliantly. It doesn’t hurt that she and Collins look so much the part of mother and daughter. And then there is Jonathan Rhys Meyers. I have loved him since his Henry VIII days, but the way they styled his hair is so not Valentine, in my opinion, that I couldn’t focus on anything else during those scenes.

JRM as Valentine

I suppose none of this really matters, as the production of the sequel has been postponed… indefinitely. In a market that is all about YA fantasy, this movie should have done well, but a series of poor decisions in casting and probably direction and marketing, left the film to flop.

But why? After the first few Twilight films, are audiences no longer as forgiving of faults when their favorite books turn into films? Do we expect more now? The fanbase for Mortal Instruments seems to be solid. Not as large as something like Vampire Academy (slightly terrified for that movie, by the way), but I’ve met a lot of people who have read and love Cassandra Clare’s books. I own them all.

Correct me if I’m wrong, but seems to me that the fantasy films that are flopping are those where the author has less involvement. Film and literature are very different mediums, and it’s not every author who can–or who wants to–involve themselves in a film while recognizing it as a different way to tell their story. But Harry Potter, Twilight, and Hunger Games (so far)  are all largely successful. All of those authors had more than the usual input into the films. Then there is Percy Jackson, Beautiful Creatures, and now Mortal Instruments. Don’t quote me on this, but I’m fairly certain the author involvement in these films  is much less. So pay attention, film studios.

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I don’t really like the whole Team thing that Twilight spawned. Team Jacob, Team Edward. Blah blah money blah blah. However, If I did subscribe to such ridiculous team-joining, I would have to admit, I’m Team Adrian.

If you’ve read Richelle Mead’s Vampire Academy books, then you know what I’m talking about. If not, you should probably go do so–now–before you look into reading the spin-off. You don’t have to, but it will definitely help with understanding the little things better, as well as the mythology of vampires that Mead created. Plus, they’re awesome. The 6-book series, hereafter referred to collectively as VA, was originally recommended to me by another adult reader nearly twice my age. She said the first book was ‘kinda slow’ but they got better after that. I actually like the first book very much. I think it provides a spot-on portrayal of teens, despite the supernatural element. And they did get better after that, having enough action interspersed with romance and mystery and angst that the reader never gets bored.

Warning: MILD VA SPOILERS AHEAD.

When Rose & Lissa’s story wrapped, I was happy with the conclusion. Not everything ends happily every after, but there is enough of the sweet to keep depression from setting in. Also, I was ecstatic to learn of the spinoff series featuring a love interest for the irascible Adrian Ivashkov. Because, really, when I say I’m Team Adrian, I don’t mean that I think he and Rose belong together. I, like all the other fans declaring their allegiance, really mean that he and I belong together. I just love a good tortured soul.

Having pulled an all-nighter to finish reading Bloodlines–not so I could get a review up, but so I could finish the story, I can say that Richelle Mead has perfected the balance I referred to earlier. I actually enjoyed this book more than the VA’s, although I was skeptical at first at her ability to pull off another interesting success.

Part of the reason, I must admit, is that I identified with Sydney, the alchemist supporting character from VA who takes center stage here. The beginning of the book struck me as a character study more than anything else and the book itself is very character-driven, despite the outside events making life difficult for the young Alchemist, whose job it is to hide vampire existence from humans. Part of that job is to hide Jill, the very important half-sister of the Moroi vampire queen–and the target for those who would unseat the young royal.  Reading the book was not reading about Sydney, but experiencing her thoughts and the story through her. It is incredibly dynamic and engaging, even if all that’s happening is an inner-monologue.

But that’s not all that happens, naturally. There’s an unresolved mystery from the last book that opens the doors for many new mysteries. We meet Keith, another Alchemist with a dickwad of an attitude, learn why Sydney is the way she is and watch her begin to grow, and see how all of the characters react to moving to and trying to blend in at a human prep school.

Adrian :sigh: comes along to both solve and cause problems, Sydney takes a class where she ends up researching magic (how unnatural!), and the students at Amberwood prep reveal an underground market for magical tattoos eerily similar to those that the Alchemists have in a place that’s supposed to be as far from magic and vampires as possible.

All of these swirl and recede, a carefully calculated dance movement full of red-herrings and real clues meant to take the reader on Sydney’s journey. The story ends in typical Mead fashion. Some issues are resolved, a few mysteries solved, but three times that many are presented or left hanging for the reader to discover in the next installment.

In case you were wondering, you’ll have to wait until May 2012 for Bloodlines book 2: The Golden Lily. I, for one, am not going to wait patiently.

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